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PREVIOUS PROJECTS
2002-2010

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Peonza, 2006. Madera de roble. 55 x 65 x 55 cm.
Peonza, 2006. Madera de roble. 55 x 65 x 55 cm.
Peonza, 2006. Madera de roble. 55 x 65 x 55 cm.
Sin título, 2002. Madera de roble ensamblada con la técnica de espigas. 95 x 92 x 17 cm.
Ojo, 2002. Madera de roble. 278 x 37 x 16 cm.
Bolsa de papel, 2004. Madera de ciprés. 80 x 180 x 180 cm.
Patio, 2005. Madera de roble y corcho. Dimensiones variables.
Patio, 2005. Madera de roble y corcho. Dimensiones variables.
Escaleras, 2005. Madera de roble. 194 x 143 x 2,5 cm.
Escalera, 2005. Madera de roble. 206 x 41 x 88 cm.
Mesa, 2004. Contrachapado, madera de ciprés y pintura amarilla. 143 x 258 x 124 cm.
Mesa, 2004. Contrachapado, madera de ciprés y pintura amarilla. 143 x 258 x 124 cm
Mi medida, 2003. Madera. 80 x 156 x 55 cm.
Mi medida, 2003. Madera. 80 x 156 x 55 cm.
Mi medida, 2003. Madera. 92 x 65 x 62 cm.
Mi medida, 2003. Madera. 92 x 65 x 62 cm.

List Content

Mi medida, 2003. Fotografía. 70 x 50 cm.
Sin título, 2002. Madera de roble, pintura y carburo de silicio. Soporte: borriquetes de pino. 120 x 2 x 74 cm.
Ruido, 2009. Madera de ciprés. 150 x 160 x 170 cm.
Capa, 2007. Madera roble y castaño. 140 x 68 x 68 cm.
Capa, 2007. Madera roble y castaño. 140 x 68 x 68 cm.
Ojo, 2007. Madera castaño. 205 x 65 x 22 cm.
Ojo (detalle), 2007. Madera castaño. 205 x 65 x 22 cm.
La Planchadora, 2009. Madera de fresno y cuero. 135 x 70 x 36 cm.
Humo Alumbramiento, 2010. Madera de fresno, roble y cuero. 105x36x37cm. / 40x50x15 cm.
Boca, 2010. Madera de fresno, roble y cuero.130 x 160 x 60 cm.
El Pozo, 2010. Madera de castaño y cobre. 160 x 400 x 140 cm.

PREVIOUS PROJECTS
2002-2010

My first works were a personal “expanded field” that I recreated sculpturally, with a treatment inspired by the photographic, capturing close forms with references centered on:

  • Objects that surrounded me, giving rise to pieces that resembled a ladder, a bag, a table, a chair ..., like snapshots that captured specific moments of everyday life.
  • My own body, treated as a spatial self-portrait. Supports and structures made to my measure that I registered photographically in two times; empty sculpture and with me inside dressed in red.
  • Architectural spaces of neighbors' courtyards, doors, ruins and floors.
  • Landscapes and mountain profiles.
  • The evolution of forms from soft to crystalline as a method of exploration.

I used different woods as the main material and experimented with assembly, bending, gluing and harvesting techniques.

Autora

Clara Carvajal

Fecha

2002

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